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January sale!

We thought it was only right to start the New Year with some discounts. So for the month of January, we hope you will take advantage of the following offers:

AUSTRALIA

2015 Sauvignon Blanc, River Retreat, Trentham Estate: was £8.99, now £6.99
2014 Moscato, River Retreat, Trentham Estate: was £8.99, now £6.99
2016 Pinot Grigio, River Retreat, Trentham Estate: was £8.99, now £6.99
2014 The Bard Chardonnay, Hollick: was £12.60, now £9.99
2015 The Nectar Botrytis Riesling, Hollick: was £14.95, now £9.99
2013 Bond Road Chardonnay, Hollick: was £16.35, now £12.99

2013 Cabernet, River Retreat, Trentham Estate: was £8.99, now £6.99
2012 Cabernet/Merlot, River Retreat, Trentham Estate: was £8.99, now £6.99
2013 Merlot, River Retreat, Trentham Estate: was £8.99, now £6.99
2013 The Bard Cabernet Sauvignon, Hollick: was £13.80, now £9.99
2012 Stock Route Shiraz Cabernet, Hollick: was £14.95, now £10.95
2015 El Desperado Red, The Pawn Wine Co.: was £14.99, now £10.99
2012 Tannery Block Cabernet Merlot, Hollick: was £16.45, now £12.99
2013 Wrattonbully Shiraz, Hollick: was £16.35, now £12.99
2013 Pinot Noir, Hollick: was £16.95, now £12.99
2013 Coonawarra Cabernet, Hollick: was £20.45, now £14.95
2014 Sparkling Merlot, Hollick: was £20.99, now £14.95
2012 Wilgha Shiraz, Hollick: was £29.75, now £21.00
2010 Ravenswood Cabernet, Hollick: was £36.15, now £25.00

NEW ZEALAND

2012 Premo Pinot Noir, Waipara Springs: was £16.49, now £12.50

SOUTH AFRICA

2017 Jam Jar Sweet White, Indaba: was £8.95, now £6.45
2015 White Blend, The Curator: was £9.20, now £6.95
2015 Chardonnay, Topiary: was £20.55, now £14.95

2013 Red Blend, The Curator: was £9.20, now £6.95
2014 Shiraz, Topiary: was £16.99, now £13.95

ARGENTINA

2014 Sierra Cruz Malbec, O. Fournier: was £9.90, now £6.99

Kaapzicht’s incredible charity work

The Pebbles Project:

In 1987 Danie Steytler Snr of Kaapzicht Wine Estate took up an opportunity to buy a temporary school building with 12 classrooms. Eight of the classrooms were moved to a new foundation on the Kaapzicht farm with a proper stone structure as small apartments for their workers, and four classrooms were turned into a larger community hall plus a smaller room for a future kindergarten. At the same time the kindergarten which Danie Jnr attended moved into a brand new building and Kaapzicht took the opportunity to inherit all the old furniture, toys and games.

Unfortunately finding a suitable teacher for the little ones proved more complicated, with various mothers from the farm community as well as outside teachers trying their hand with varying success. There were even some periods when the kindergarten wasn’t able to operate.

In 2008, Danie Jnr was approached by Pebbles (a UK charity) who had heard of the attempts to run a farm crèche for the estate workers’ children and he gladly accepted their offer to help! Since then the kindergarten has operated seamlessly under the guidance of Pebbles who educate, advise and monitor the two local ladies who are employed as kindergarten teachers. Currently they look after five babies from 3 months to 3 years, and four children between 4 and 5 years of age. In previous years they have had up to 16 children in the crèche.

On the suggestion of Pebbles, Kaapzicht also started an After School Club (ASC) in 2008, where (currently 31) school-going children can spend the afternoons doing school work under the supervision of two teachers who come from outside the farm. These teachers not only help them to do their work and explain what they might not have understood in school, but also teach them life skills (such as why smoking, drugs and alcohol are bad for kids, healthy eating and sanitary habits, how to prevent pregnancies, entrepreneurial skills etc.), as well as singing, drama, games and sport. This takes place every afternoon between 3 and 6 pm in the community hall.

Last year Pebbles received a sponsorship which supplies all the children in the crèche and ASC with a warm meal and healthy snack, providing the nourishment to enable them to learn better. The community in general supports this project, although there have been some grumbles that the hall is no longer available for parties, due to the many tables, chairs, computers and children’s art work!

Danie Jnr has told us, ‘I remember in the past some children telling me that their little brothers and sisters were tearing up their school books or scribbling in their work, another one told me they do not have a suitable table in their house on which she could do her school work, and during the 71 years that our Steytler family has been farming here only about 10 children managed to finish 12 years of school – all the many others dropped out of school when they were between 14 and 16 years old. Some told me they needed to leave the public school because their parents could not afford the school fees or they wanted to go to work and bring money home. And it is very common for young teenage girls to get pregnant, thus ending their school attendance.

We believe that having the privilege of being land owners comes with the responsibility towards the people who live and work on our land, and that the key to solving all South Africa’s problems (such as poverty, crime, high birth rates, HIV/Aids, overpopulation, lack of water and resources etc.) lies in educating the population.

Hence, in 2002 we started to pay all the public school fees for all the children of all our employees to counter the financial aspect to why our kids were leaving school. But this hardly made a tangible difference and only now, some years since the start of the ASC, do we see a very slow shift in thinking, increasing motivation to complete the twelve school years, an improved learning atmosphere and a few more learners passing the public school end exam.

But this progress is indeed very slow, we will have to have a lot of patience, compassion and endurance. The older farm community is largely uneducated and illiterate and for children to achieve a higher education than their parents might be seen as a threat by the elders, a breaking away from the community; the child who leaves the farm for a tertiary education has to deal with loss of belonging and support and so I personally suspect that it will still take another generation before we will actually see a real shift in the education of our farm community.

In the meantime we have to go on as best as we can… and can afford. The building is made out of wood and hard board and although we have insulated the ceilings, the rooms are extremely hot in summer and cold in winter. I have a special savings account where I collect donations for the school project and I am saving towards two air conditioners, one for the crèche and one for the ASC, which would make studying a lot more pleasant for the children.’

Some further projects:

The Olwethu clinic:

Pebbles also runs the Olwethu clinic on Villiera – Kaapzicht pay R2800 per month so that their workers can go to the clinic to receive first rate medical aid free of charge. The clinic also offers transport, medication, dentistry, birth control etc. The workers also have the opportunity to send family members that don’t work for Kaapzicht at a minimal fee of R60 per visit.

Soccer field:

The estate has built a soccer field on the farm for their workers to be able to play sports on weekends. The Kaapzicht team has won a few trophies over the past years in the Stellenbosch farmers’ league!

The food project:

Kaapzicht have set aside two hectares of land as a vegetable project for their workers. They plant and grow different crops each season which are then shared between the workers for free. They have just planted mielies (sweetcorn) and watermelons which will be ready for Christmas – everyone’s favourite. Other crops grown are potatoes, gem squash, butternut squash, pumpkins, carrots and spinach.

Mini Bus/taxi:

The estate has bought a minibus as a form of transport for their workers to get to town. Most of them either cycle or walk to town 5 km away but now they can be driven for free every Saturday and after work each day. It also transports the soccer team if they are playing an away game.

Farm shop:

Danie Snr started a farm shop 20 years ago so that Kaapzicht workers could receive food on the farm without having to go to town each day. It sells the basics (bread, milk, meat, eggs etc.) at cost price and food can be bought on a book system so that it is always available to them.

Pikes Wines: ‘Best Australian Riesling’ IWC 2017

Pikes Wines can trace the history of the family winery back to 1878, when Henry Pike emigrated from Dorset to South Australia aboard the HMS Oakland. He settled in the Adelaide Hills and in 1886 established Pikes Dorset Brewery, which later changed its name to H. Pike & Co., producing beer, ales, soft drinks and cordials, including its famous Tonic Ale, all of which displayed the Pike fish symbol that Pikes Wines use to this day.

The current winery was established by third generation brothers Andrew and Neil Pike, with their parents Edgar and Merle, in 1984 in the Polish Hill River sub-region of the beautiful Clare Valley in South Australia, due north of Adelaide. The first Pikes wines were released in the spring of 1985, with a focus on aromatic, fresh wines that reflect the region, the vintage season and the varieties grown.

The ideal pairing of Andrew, viticulturist, and Neil, winemaker, have achieved considerable success with their Riesling cuvées, Riesling Traditionale and the Merle Riesling; 2016 Riesling Traditionale has just been awarded the Trophies for Best Clare Valley Riesling and Best Australian Riesling in the 2017 International Wine Challenge – an incredible achievement!

Speaking about the 2016 vintage at the time of harvest, Neil described conditions as being ‘pretty much ideal for achieving concentrated flavours and the sugar levels we require. Good weather for grapes. It will possibly come as no surprise to many that the backbone varieties of Clare such as Riesling, Shiraz and Cabernet are showing early promise. Riesling in particular has great flavour, low pH and good levels of natural acidity. While perhaps still too early to start proclaiming it as another “vintage of the century” we are really confident we will produce some terrific wines from 2016.’

On winning the IWC trophies, Pete Bentley, Sales and Marketing Manager, told us: ‘At Pikes we pride ourselves on the consistency, and continuity of our Riesling. The Riesling grape allows for very few, or zero faults, and has a transparency that many other grape varieties don’t have. The genius of our Traditionale Riesling is balance, in both style and rationality. The best free run juice marries with just enough residual sugar, and a wonderful spine of natural acid. The combination of the austere Polish Hill fruit, connecting with a lick of Watervale gives us lemon/lime, orange blossom and talcum powder on the nose, and slippery mandarin flavours on the palate, all cleaned up by crunchy acidity. We love drinking this wine, and we love that the IWC have acknowledged this Clare classic with two trophies. Sometimes it takes 32 years to become an overnight success.’

For the month of July you can receive a 10% discount on Riesling Traditionale and its red blend partner, Los Compañeros Shiraz/Tempranillo. Please enter code PIKE17 at checkout to take advantage of this offer.

South Africa: inspiring times

Since the early 1990s, South Africa has enjoyed a peaceful, positive and democratic existence. Dynamic and enormously diverse as a nation, South Africa’s Western Cape offers the very same attributes in its winemaking tradition and history, which dates back over three and a half centuries.

As the shackles of apartheid fell loose, established winemakers re-emerged onto the international scene, followed by a full scale explosion of new wines, wineries and international investment. In turn, this has helped to attract more highly qualified winemakers to ply their trade in the Cape; surely the most beautiful winemaking region of the world.

As winemaking has intensified, so too have the number of varietals cultivated. Indeed, new wine regions have come into being during this period as an understanding of terroir, climate, vine variety and aspect have come into play. Improved winemaking techniques and vineyard management have help to bolster the quality of fruit received by the winery. Garagiste, small scale growers producing wonderfully unique, hand-crafted wines are at every turn, as is the emergence of the maverick winemakers in the expansive Swartland region, to the north of Cape Town.

The varieties vary with region; however Chenin Blanc, the famous white variety of the Loire Valley in France truly shines in the South African sun. It arguably holds the country’s greatest potential on the world scene. Here it has the potential to produce dry, full-bodied, floral examples which are at the same time immediate, whilst conversely holding the capacity to develop beautifully in bottle. Old vine examples offer even greater complexity and potential – look out for the showstopping pair of Stellenbosch examples; DeMorgenzon Reserve Chenin Blanc and Kaapzicht’s ultra rare 1947 Chenin Blanc which heralds from the nation’s second oldest Chenin vineyard. Of the reds, Pinotage is the ‘marmite’ variety which offers plush, richly-flavoured wines which work wonderfully in the right winemaking hands. Frontier has the pleasure of offering two great examples at both ends of the stylistic spectrum; Spice Route’s Swartland Pinotage is modern and beautifully styled, and Kaapzicht’s Stellenbosch Pinotage, which has a classic, gutsy, more traditional feel. Both are outstanding. Elsewhere, Sauvignon Blanc in the region of Darling; Riesling, Gewurztraminer and Pinot Noir in the cool climes of Elgin; Bordeaux varietals (and especially blends) from the iconic Stellenbosch region and Rhône varietals, both red and white, from the uber-trendy Swartland. South Africa does have it all.

In a nutshell, these are inspiring times for South African wine as the country starts to fully develop its own identity. As it delivers day by day on the vast potential which exists, there is no doubt that the Rainbow Nation is the most dynamic and focused wine producing region of the New World. Its potential for greatness is matched only by its desire to succeed.

Frontier Fine Wines is extremely proud to have direct links to some of the true trailblazers of South African wine. A selection of their stunning wines can be found just a few clicks away.

A tasting with Rustenberg

Visiting Rustenberg is always a treat. One of the most beautiful wineries in the Cape and just 10 minutes from the centre of Stellenbosch on the slopes of the Simonsberg mountains, it takes as long to drive up the beautiful 2.5km drive as it does to drive from the town centre to the entrance gate! Rustenberg’s tasting room is a cathedral of calm with visitors enjoying the fantastic range of wines – by contrast the winery is a hive of activity with the vintage in full flow.

The impressive wine range starts off with a refreshing Sauvignon and an unusual Roussanne, followed by the highly-rated and -awarded Chardonnays. The top Chardonnay – Five Soldiers – is named after a group of five stone pines growing in a dominant position in the middle of the vineyards. The reds are gently introduced with a dry Petit Verdot Rosé and a deliciously bright Grenache. The more serious wines follow, culminating with the world class Peter Barlow Cabernet Sauvignon. To round off the tasting, try the new fragrant Red Muscadel which has delicious hints of Turkish delight.

p.s If you are visiting – do take time to visit the lovely gardens and walk the meditative labyrinth.

Australia: new wave wines with gravitas

There was a time in the late 1980s and early 1990s when everybody was talking about Australian wine. Even the French were discussing the virtues of the wares produced in this largely emerging wine-producing nation, who burst onto the vinous scene with wines that literally jumped from the glass with bold fruit flavours and catchy brand names. Understandable varietal labelling allied to a general feeling that the laid back Aussie character had poured over into the wines it produced, separated the Australian offerings from the more traditional and arguably bland bottles which had been available in the UK until this point. In an inexplicably short time Australia had showed the world that wine could be a drink for the masses, that you didn’t need to be nobility to enjoy a glass and that that glass needn’t cost you the earth. The product itself was an extension of the nation itself, offering sunshine and opulence in every glass. And we loved it. We really, really could not get enough.

Chardonnay and Shiraz are the two varietals which even now the majority of wine lovers would pin-point as Australia’s calling card. The former has subsequently suffered as consumers recall the sweet, oaked-up Chardonnays of yesteryear. Styles which at the time we all lapped up have now fallen out of fashion. To an extent the same could be true of Shiraz. Though it is entirely possible to pick up examples which hit 16% alcohol and are stylistically more akin to a liquidised black-forest gâteau, the general movement since the heady days of peak Australian wine consumption has been one of stylistic restraint.

Australia’s trump card is one of innovation and an unwillingness to sit still where wine development, be it in the vineyard or cellar, is concerned. As I have written previously in my blogs, the current trend within the country is to seek out subtlety, vineyard expression, varietal character and freshness. Mouthfeel and tannin structure are critical, and replace wines of sweetness and in some cases, overt concentration. Essentially, the knobs have largely been turned down across the nation and with it have arrived some of the most exciting new wines in a generation.

Terroir; a word which the majority of Australian winemakers used to laugh at, has become ever more understood and considered by growers. Lower alcohol, use of more European grape varieties and a general feeling of regional authenticity lend the new wave wines gravitas and interest. Modern Australian wines offer lighter, fresher and progressive styles which are lighting up the UK market, many of which are available on this very website. Grüner-Veltliner, a white variety from Austria, finds its home in ideal conditions up in the Adelaide Hills. The Pawn Wine Company and Pike & Joyce both offer stunning examples. Sangiovese, the grape variety of Chianti, finds a home in McLaren Vale; produced by Coriole Estate it heralds from the mother block of the variety in Australia, planted back in 1985. Nero d’Avola, Fiano, Nebbiolo, Montepulciano and Barbera, originally from Italy, fill the Frontier list. Tempranillo, Pinot Grigio, Moscato and Verdejo to name a few more…

One thing is for certain; Australia is not afraid to try new things, to develop, innovate, to take risks. For this alone the nation should be applauded. By way of comparison, the Bordeaux classification of 1855 is now somewhat out of kilter with the reality of the region, however it is etched so very firmly in the national psyche that it is unlikely to ever be revised. This is where Australia and France differ. I wonder if it is any coincidence that Australian wines continue to be the most popular among UK adults at 29% of the market, ahead of France at 22%?

Sacré rouge et blanc, Bruce!

Lunch with Larry McKenna

Escarpment Vineyards in New Zealand’s Martinborough region is home to one of the country’s most iconic and influential winemakers. Larry McKenna is, simply, a living legend. From his involvement with Martinborough Vineyards back in 1986 (becoming the region’s first professional winemaker in the process) to the present day, Larry has set about defining the terroir of this rapidly emerging Pinot Noir hotspot. Realising early on that Pinot Noir could thrive in his corner of the southern hemisphere Larry planted a number of vineyards, including the now famous Kupe vineyard, to highlight just how good Martinborough could be. Various clones, including the notorious gum-boot clone of Romanée-Conti fame were utilised, together with Burgundian-style high density planting in the Kupe site. Having established Escarpment back in 1999, the vineyards are now really hitting their stride.

I was lucky enough to attend a lunch hosted by Larry recently, where he introduced us to the latest instalment of his Insight Series of single vineyard Pinot Noirs, the 2014s. Following on from the hugely-lauded 2013 releases, stylistically each cuvée was very individual in the glass, with the different vineyard expressions surely capable of finding an appreciative audience; from elegant and refined Burgundy-inspired Kiwa to deeply-flavoured and unashamedly New World Pahi. The Te Rehua vineyard is Chambolle-Musigny in New World clothes; full of black cherry and plum flavours. We finished with Larry’s jewel in the crown; Kupe. Bold and intoxicating, there is a core of intensity and tightly-wound, ultra-fine tannins. With a density of cherry fruit with disarmingly approachable structure and freshness, Kupe is a singular wine and a star of New Zealand Pinot Noir. Larry’s 2014s were quite simply astonishing.

Though difficult to source in volume, such is the demand, Larry’s wines offer great value. Frontier are very honoured to receive a direct allocation of these fabulous wines to offer to our customers so please do drop me an email if you would like to secure a bottle or two!

As a final note, I wanted to mention part of a conversation I had with Larry just after the tasting. He told me that he had hardly slept the previous night; such were his nerves over the looming 2014 vintage launch that we had just attended. It shows the human side of the great man that even after all of these years and after rafts of outstanding reviews and awards, he should still get butterflies over the performance of his beautiful wines.

He needn’t have worried, though I am kind of glad he did. It is this attention to detail which has made him the hero he is, and rendered his wines the expressive heartbeat of Martinborough.

Thorn-Clarke – value in experience

Thorn-Clarke are something special. A winegrower of such pedigree, tradition and self-assurance that you are left wondering how on earth they have passed you by, unnoticed, for so long. Though passing like proverbial ships in the night, I am overjoyed to acknowledge they have now registered a sizable ‘blip’ on my radar! My red wine of 2015, from their fair hand, was the exceptional 2012 Shotfire Quartage; a Bordeaux blend with so much to say…

So let me tell you more about this historic grandee of South Australia’s most famous wine region – The Barossa Valley.

Thorn-Clarke’s ancestors were originally drawn to the region by the great Australian gold rush of the late 19th Century. The name Thorn-Clarke derives from the relationship between two long time Barossa families; husband and wife, David and Cheryl Clarke both have (if you’ll pardon the pun) deep family roots in the Barossa. Cheryl Clarke’s family, the Thorns, have a long tradition of grape growing in Barossa whereas David Clarke’s family, became famous in the region through the mining of gold. Together David and Cheryl have established and grown Thorn-Clarke into the successful winery it is today.

Location wise, Thorn-Clarke are in an enviable position. With a firm understanding of the region’s geology though their established mining link, they have over time amassed four prime single vineyards across the Barossa; from Mount Crawford in the cool southern Eden Valley to the dry and warm St Kitts vineyard in northern Barossa.

There is freshness present in the estate’s wines which show pedigree, elegance and an assurance that few growers in the region can match. In the glass their wines deliver the exceptional fruit flavours one would expect from this iconic wine region, however there is also structure, character and exceptional value for money.

The latter point is really Thorn-Clarke’s calling card. I guess the American critic Robert Parker might refer to it as “bang for your buck”. One thing is for certain – these are wines which offer satisfaction on so many levels, from the fresh and vibrant Mount Crawford Riesling, full of zingy lemon and lime notes, right through to the true icons of the range, in the form of William Randell Shiraz and single vineyard Ron Thorne Shiraz, both of which are bold and full of spice plum and black cherry fruit. Capable of long term aging, the 2012 Ron Thorne Shiraz was recently awarded the International Wine and Spirit Competition’s trophy for the world’s best Shiraz/Syrah! With so many accolades over the years and a perpetual reference to the value for money their wines offer the drinker… surely it is time to introduce your palate to the wonderful Thorn-Clarke portfolio?!

New Zealand: Sauvignon Blanc is not the only fruit…

There was a time when New Zealand was just about Sauvignon Blanc. There was little else in fact, pitched to the world in a burgundy-shaped bottle emblazoned most notably with a grey, almost misty-cove like image… The contents of the bottle pushed the virtues of the Sauvignon Blanc varietal to the world in a way which at that point in time had never been seen before, delivering flavours and textures that were inconceivable to an audience whose only prior exposure to Sauvignon was likely to have been a simple, flinty Sancerre. In fact, given the lack of varietal labelling in France, it is quite likely that they did not even realise they had been drinking Sauvignon Blanc at all! Density in the glass, a room full of gooseberry aromatics and a taste more about purity of fruit than the oak chips delivered by most mainstream Australian Chardonnays at the time; it was the dawning of a new day for New Zealand wine and it is fair to say that they have never looked back.

Sauvignon was, and still is, a variety which divides opinion. Its very status as a noble varietal is often brought into question due to the general inability of its wines to age well. It is a curious beast marauding and dominating the market like few other varieties do – it’s a love or hate style, with a split seemingly about 50/50. Sauvignon Blanc… the Marmite of the wine world.

But New Zealand has come a long, long way since the early days of Cloudy Bay et al. Sauvignon Blanc is not the only fruit and Marlborough is not the only region.

With an emphasis on lighter-styled reds and aromatic whites, Syrah from Gimblet Gravels in Hawkes Bay, world class Chardonnay from Kumeu River and the emergence of regions such as Martinborough in the North Island excelling in Pinot Noir have set New Zealand on fire in international markets.

Elsewhere, let us not forget the quality and value to be found from Waipara on the east coast of the South Island, together with the world’s most southerly wine-producing region; Central Otago. Here the country’s potential for world class Pinot Noir is arguably at its greatest. For a region which barely existed on the international wine map as recently as the mid-nineties, ‘Central’ really does represent the calling-card for the ‘new’ New Zealand.

As innovation and experimentation speeds, new varietals such as Albariño and Lagrein have found their way into the vineyards with Stanley Estates in Marlborough’s Awatere Valley a front runner in the field. Five vintages on from New Zealand’s first commercial Albariño bottling, the cuvée is gathering in style, composure and substance with every new release, with vine age and the winemaker’s know-how enriching the process each and every year. This is very much a reflection of the New Zealand wine industry at large.

A modern day success story like no other in the world of wine; New Zealand is far from a one trick pony.

New Wave Australia

Italian varietals, grown in Australia, are taking the UK market by storm. Enlivening and reinvigorating the Australian offering to a new generation of wine buyers along the way, these niche bottlings are food friendly, earthy, characterful and full of European soul. Add to these impressive facets the fruit richness and playfulness synonymous with Aussie wines and you are on to a winning formula!

So numbered has been the emergence of star cuvées over the past 18 months that you may be under the impression that someone in Australia has simply turned the taps on to this burgeoning trend, but thankfully not so. In fact, the reverse is true. Winemakers have been growing a range of Italian and key European varietals for some time. Looking for something different in their regional offerings or looking to grow varieties for blending purposes, cuttings were sent over for use in nursery programmes followed by extensive periods of quarantine for the vines prior to planting and commercialisation. To this end, most of the key releases which fall under the “new wave” category show relatively young vine age.

Disproving this very myth, Frontier offer the wines of Australia’s “original” Italiaphile, Mark Lloyd of Coriole Estate in South Australia’s McLaren Vale. Far from being a new kid on the block, Mark championed the strengths of European varietals many moons ago, in fact, amongst many others Mark’s Sangiovese vines represent the oldest in the country – planted in 1985. There are also significant plantings of Fiano, Nero d’Avola, Prosecco and Barbera. Beyond Italian varieties, the latest wine out of the Coriole blocks is Picpoul. Driven by his love of the rare Languedoc white grape’s distinctive character, Mark has been patient in developing his own Picpoul crop. Vines imported in 2008 remained in quarantine until 2011, when a pair of approved vines was released to Coriole for propagation. Picpoul vines now cover only half a hectare, and many are not fully grown, but enough grapes were picked in 2015 to enable the first commercial release.

Beyond Coriole, Frontier are proud to offer a range of new wave varietals from across the country; Grüner-Veltliner, Tempranillo, Pinot Grigio, Verdejo and Malbec amongst them. Matching variety to terroir and climate has seen great success, encouraging a more youthful wine-buying public to connect with a nation seen by many to produce just two varieties – Chardonnay and Shiraz.

The dawning of a new day in varietal expression and regional variation is upon us. There are many internationally-lauded releases setting the market alight and with no sense of the trend dissipating. Watch this space for exciting new wines, flavours, textures and tales over the coming months. Move over Pinot Noir… McLaren Vale Nero d’Avola has arrived! ;)

Bremerton – Langhorne Creek defined

Bremerton isn’t just another Aussie winery; it is the pulse and heartbeat of South Australia’s Langhorne Creek. Owned and run by the Willson family since its inception in 1988, Bremerton has forged an enviable reputation for quality and value whilst at the same time supporting development into new varietal plantings and figure-heading innovation within the region.

I was lucky enough to visit Bremerton last year and had a rare opportunity to meet the Willson family. What I found was a group of people committed to promoting the fruits of their labour, with drive and ambition but at the same time a humble appreciation of their unique terroir in Langhorne Creek. It is unquestionable that winemaker Bec Willson and her sister Lucy steer the Bremerton ship under the guiding eyes of father Craig and mother Mignonne. It really is a family affair combined with genuine pride of place.

Langhorne Creek is south east of Adelaide, not far from the famed vineyards of McLaren Vale. It is a unique region as it sits on the rich soil of the Bremer River flood plain. Fresh cool evening breezes from Lake Alexandrina provide a micro climate of mild to warm summer days and cool evenings, perfect for the long ripening of the grapes. The resultant harvest produces intense and sought after cool climate flavours in the Bremerton wines, which are very much on-trend and beautifully suited to the palates of many modern wine drinkers. The predominant varieties grown are Cabernet Sauvignon and Shiraz, with plantings of Sauvignon Blanc, Verdelho, Chardonnay, Malbec and Petit Verdot.

The winemaking team, headed by family winemaker Rebecca ‘Bec’ Willson has taken the quality of the Bremerton portfolio to new highs. Bec seeks the finest possible estate-grown fruit to craft traditional, full-bodied, full-flavoured, mouth-filling wines that show a consistency of style whilst encouraging the true varietal characteristics to be expressed.

In the cellar, the winery has invested heavily in a premium French and American oak programme using 220 litre barriques to ensure subtle and complementary oak influences. The winery utilises traditional open top fermenters, made from stainless steel and a purpose-built barrel cellar for maturation.

Bec and her Marketing Manager sister Lucy, have focused the family’s wine range on high quality and individual wines. They have given Bremerton a strong foothold in the highly competitive Aussie wine market, with Rebecca’s first label at age 25 (the 1997 Cabernet Sauvignon) winning a trophy and rated Third Best Cabernet in Australia by Winestate magazine. Since then the Willson sisters have worked tirelessly to anchor Bremerton as Langhorne Creek’s strongest force – with exceptional quality Malbec and Fiano coming through the ranks, there is no suggestion they plan to put their feet up any time soon!

Why the higher alcohol levels?

Talk often turns to an apparent increase in alcohol by volume, in modern wine. More specifically, talk often arrives with a negative tone as “more mature” individuals hark back to the good old days, where the alcoholic volume of most wines rarely seemed to exceed 12.5%… Indeed, 12.5% alcohol seemed almost as consistent as the 75cl bottle within which the various liquids were contained!  Why are alcohols seemingly so much greater these days?

What changed, where, when and why?!

Rolf Binder The Barrot Family, Julien far left Mollydooker Label close up

Initially I think it is fair to say that Mother Nature has a few things to answer for. As global warming has seemingly fast-tracked in recent years, sending shockwaves through the marginal wine growing regions of the world, the ability to attain phenolic as well as physical ripeness is greatly improved. In short, when you attain full ripeness, potential alcohol increases. The decision to harvest is in the hands of the winemaker – part of their intuition, their ethos and ultimately, their potential genius. In years gone by, making wine could become very much a painting by numbers exercise, regardless of each vintage’s individual characteristic or limitation. Nowadays the modern viticulture and vinification techniques on hand aid and assist growers to enhance their offering naturally, which allows for greater sun exposure and ripeness in the vineyard, which therefore increases potential alcohol. Perhaps higher alcohol is more of a 21st Century phenomenon?

Another phenomenon of the modern wine market place is that of the “critic”. Step forward Mr Parker, a man famous for his attraction to rich, densely-flavoured wine styles. Chasing the critic scores helps to increase a wine’s desirability in the market place and make the growers more money – it seems logical that if your wine appeals to a certain palate, you will be rewarded in points. So why not turn up the dials during production? Stories are rife of “special Parker bottles”, presented to the man himself by unscrupulous wine producers during en primeur tastings. Seemingly a particular barrel had been manipulated to present the château in the best light possible, to ensure a high score. Raisening of grapes on the vine, particularly in St-Emilion, has also hit the news. Bordeaux’s take on Amarone? Seemingly so….

Beyond production, selection of varietal as well as trends towards the New World have altered perception of potential alcohols. Grenache is a variety which has high potential alcohol, as is Mourvèdre. These varieties are finding a place in more and more blends around the world. As far as regions go, I don’t believe that there is a wine-loving individual alive who doesn’t associate higher than average alcohol with… say… Barossa Shiraz. One of Australia’s leading regions for the cultivation of the country’s most famous red grape variety, it is synonymous with bold, richly-fruited, concentrated styles with a higher than usual alcohol content. Recently I read an interview with Julian Barrot of Domaine Barroche in Châteauneuf du Pape. As a region it too has had its critics when it comes to alcohol content. Julian’s reaction was a simple one;

“For us, the alcohol level is not a concern. What is very important is to pick up the grapes when they’re perfectly ripe, and in this case, if you pick up healthy grapes with the right ripeness, you will be able to make a balanced wine and you will not feel the alcohol, even if it’s more than 15 degrees…. Sometimes we will even harvest a plot twice, if one part is ready and the other part is not ready. In this case, you’re able to have very balanced wines, and you don’t feel the alcohol level. People who taste our wines will not feel the alcohol level.”

Back in the Barossa briefly, and following Julian Barrot’s lead above, Rolf Binder is a grower who retains femininity in his Shiraz which is largely unequalled in Barossa. He is a genius with a deft touch who produces wines of controlled opulence, full of depth, character and which are finely balanced on a vinous knife-edge. They have heady alcohol content, sure, but they have freshness, tannin, vigour and life. They hold the expansiveness of the finest côte-rôtie with a weightlessness on the palate that compares with the very greatest wines on earth. At 14.5% alcohol, Rolf’s 2002 Hanisch Shiraz was utterly beguiling and absorbing. One of the single greatest new world reds I have ever tasted, and 100% in balance. With lower alcohol in the glass, perhaps it would only have been a shadow of itself? It would no longer remain complete and therefore project merely a dilution of the wine’s greatness?

Perhaps modern wine drinkers who wish to push their palates and test the boundaries of their senses, look for extremes of fruit expression and density as a reward for their endeavours. An expression which is fairly muted within the wine trade is “talk dry, drink sweet”. The rise of Amarone in the UK, as well as Argentinean Malbec show that the UK consumer looks for boldly-flavoured, alcoholic wines with richness often more akin to a melted bar of Dairy Milk. They seem up for the fight that a blockbuster red seems to offer. Mollydooker in Australia’s McLaren Vale produce stunningly concentrated reds which, with alcohols often in excess of 16% alcohol, manage to retain impressive balance in the glass. These are late harvest wines which have been managed in the vineyard as much as they have in the cellar. They are fruit forward, immediate and explosive in their fruit concentration. No other McLaren Vale grower can match, or tries to copy, the lead of Mollydooker, however, their brand is in huge demand around the world. By delaying their harvest date as much as they possibly can, Mollydooker can craft these black, brooding berries into unique wine. Yes they spark controversy wherever they are opened, but why not? Perhaps modern palates cry out for the sweetness, body and texture afforded by higher alcohol.

For those wine lovers who dream of alcohol back at the 12.5% level, then there are always options out there. Often, by picking your region carefully you can enhance your chances of success. Elgin in the cool climbs of South Africa’s Western Cape cultivates aromatic white varieties such as Riesling, Gewurztraminer, Chardonnay and Sauvignon Blanc. It also produces fantastic Pinot Noir and delicate Merlot. Zingy freshness and purity of fruit expression are the trademarks of growers such as Catherine Marshall and Paul Cluver Wines. Minerality, tension, verve and… lower alcohol are all there. Truly modern expressions for the modern wine drinker.

Ultimately, the wonder of wine is that no two bottles are ever the same. High alcohol doesn’t automatically mean a lack of balance, as much as lower alcohol doesn’t necessarily correspond to high quality.